The
Weekender Review |
Guitarist D'Arcy Wickham performs Thursday at Hugh's Room.Local guitarist returns to his roots JUSTIN SKINNER Having seen both the good and the bad sides of the music business throughout his three-plus decades as a performer, D'Arcy Wickham is prepared for whatever the future holds. The guitarist is releasing his new CD, Feather Fingers, at an upcoming performance, and the solo effort represents a return to his roots. While Wickham has tackled rock, jazz, country, classical and countless other musical genres throughout his career, Feather Fingers contains folksy and intricate finger-style guitar. "Finger-style guitar is really my home turf and my first love," he said. "I always loved the guitar playing of Steven Stills and Bruce Cockburn because they were both excellent finger-style guitarists, but they also excelled at playing electric guitar." Wickham's career began in the early 1970s. He graduated from the University of Windsor with a degree in business administration in 1970, but quickly found that the corporate world wasn't for him. "I hated it," he said. "I wasn't cut out for it. I decided
pretty quickly to go back to making music." "I didn't even know what radio promotion was," Wickham said of that time. "I went from station to station in this beat-up old Volvo with boxes of my singles. I'd knock on the doors of radio stations and see if they would play it." Before long,
however, the strain of touring took its toll and Wickham decided
to stay in Toronto, settling
into his
home
near Lawrence
Avenue and Avenue Road and starting a family with
his wife, Tess. "It took me 15 years to get my electric guitar playing together to the level where I wanted it to be," he said. "I'm always shocked when a guy says, 'I think I'll play my acoustic guitar over the weekend and then I'll be ready to do a set'. It's an entirely different way of playing." Throughout his career, he played with several high-profile artists, ranging from Daniel Lanois to Raffi. In 1996, Wickham decided once again to focus on his solo career, recording his first album, Dust and Loneliness, independently. Before releasing the album, however, he wanted to ensure that every song met an exacting standard. "Because of midi (computer recording equipment), anyone can produce a record that's digitally perfect, but you can't make a good artistic record without good songs, good singing and good playing," he said. "I've tried to achieve consistent high quality." PAINSTAKING
PROCESS "I'll spend weeks or even months writing one song," he said. "The title track (on Feather Fingers) took me a year and a half to complete and I was refining it, changing it, adding bits, taking bits out up until two weeks before the recording date. But I'd rather make a good quality recording than rush something out that I'm not proud of." In spite
of his tireless efforts, Wickham said he almost expects the record
to lose money. His love for the music and his belief in his songs keep him in the writing game, however. "It's difficult to recoup your original investment when you're making
a record with your own money, but
I figure if you do make enough good records, people will notice." |